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Mandy Martin From Queanbeyan to New York charts the shifts in Martin’s practice between1978 to 1984, from the sensitive gouaches of her near neighbours and friends, to the expressive drama of the paintings that speak to her deep concern for the environment.
Mixed media installation ‘hand/made/held/ground’ (2019) metaphysically maps Croft’s patrilineal relationship to Country, reimagining customary objects jimpila (spearhead) and kurrwa (stone axe) originally created on Gurindji homelands.
Celebrating the artistic friendship of Melbourne artists Ethel Spowers and Eveline Syme, Spowers & Syme presents the changing face of interwar Australia through the perspective of two remarkable women artists
Threads of Policing is a rare opportunity to explore the varied work of the Australian Federal Police as reflected by stories of its members
After completing the first Ned Kelly series in mid-1947, Sidney Nolan’s ambition to address the landscape and mythologies of Australia in a new way significantly expanded beyond his more familiar terrain of northern Victoria
Delene White presents a sculptural garden of giant cyclamens that sway and bow for CMAG on the Square.
Join National Gallery of Australia's Sarina Noordhuis-Fairfax, Curator, Australian Prints and Drawings, for a tour of Spowers & Syme.
Jodie Cunningham, Craft ACT: Craft + Design Centre CEO and Artistic Director, and Dr Brenda L. Croft, artist and Associate Professor, Indigenous Art History and Curatorship at the Australian National University, will discuss the exhibition, ‘hand/made/held/ground’ and the Made in Australia II series
The Nolan Collection is an iconic group of paintings from 1945 to 1953 by Sidney Nolan that the artist gifted to the nation in 1974
Discover the work of the Australian Federal Police (AFP) in the ACT, Australia-wide and globally with AFP Museum curator, Chris Cranston
The Young Nolan Project is a new initiative where an individual school is invited to work on an extended program and present their resulting art to the public