Cnr London Circuit and City Square, Canberra City
Open today from 12pm to 4pm
Exhibition curator Meredith Hinchliffe will spin a yarn about the history of the Canberra Spinners and Weavers organisation.
How did a ‘new woman’ navigate a career in design at the beginning of the 20th Century?
Join architectural historian Ken Charlton and conservator Emily Birks to learn about the work and life of Alberto Dias Soares, and the conservation of some very special objects being offered to the Canberra Museum and Gallery (CMAG) Collection.
Radio personality and record collector David Kilby takes us on a quirky show-and-tell journey through the vinyl album covers of yesteryear
Discover more about the intriguing relationship between Arthur Boyd and Sidney Nolan with Jennifer Thompson, Collections and Exhibitions Manager at Bundanon Trust
Join us for an afternoon of structured workshops, led by local artist Jacqueline Bradley
Friends of the National Film and Sound Archive present pulp classics
Glimpse into the mind of a curator with Dale Middleby, CMAG’s Senior Curator Social History, as she explores Eirene Mort: a livelihood
Join us for an afternoon of structured workshops, led by local artist Jacqueline Bradley
Bloom, grow and shine at CMAG during the spring school holidays
The auction is a glamorous and fun event featuring silent and live auctions, superb food, music and wine.
A series of three evening talks presented in partnership with ScreenCanberra where top TV industry players share their understanding of…
Friends of the National Film and Sound Archive present pulp classics
Join us for an afternoon of structured workshops, led by local artist Ruth Oliphant
Collector James Doig will explore the collection of Australian pulp fiction novels and original cover art amassed by himself and the late Graeme Flanagan
Join us for an afternoon of activities based on books shortlisted for the 2017 Picture Book and Early Childhood Book of the Year, selected by the Children’s Book Council of the Australia
Join curator and writer Robert Bell for an insight into why Australian glass art, and work produced in Canberra in particular, has developed such a successful international reputation